other side as people. They aren't - they're just usernames, Facebook photos and Twitter handles.
Douglas Rushkoff
I find a similarity between performing music onstage and acting - a reality of emotion.
Miyavi
It's a special thing to be a public company.
David Duffield
Store windows are like landing pages on the website.
Angela Ahrendts
The itinerary of most antiquities from their source - tomb, temple, quarry - to the shelves of museums or private collectors is murky and often purposely concealed.
Peter Landesman
You've got to understand what makes the character human.
Marcia Gay Harden
Having passion does not mean you have to descend into bickering and fighting.
Xavier Becerra
With 'Ilustrado,' I set out to change the way we read literature, and I think I failed spectacularly. In fact, I know I failed. In reaching further than I could, I may not have produced a life- or literature-changing book, but I did produce one I am proud of.
Miguel Syjuco
When I am on the opera stage, I am playing someone else. In recitals, I even have the chance to talk to the audience, which is something you don't get to do in opera.
Sondra Radvanovsky
Douglas Rushkoff
I find a similarity between performing music onstage and acting - a reality of emotion.
Miyavi
It's a special thing to be a public company.
David Duffield
Store windows are like landing pages on the website.
Angela Ahrendts
The itinerary of most antiquities from their source - tomb, temple, quarry - to the shelves of museums or private collectors is murky and often purposely concealed.
Peter Landesman
You've got to understand what makes the character human.
Marcia Gay Harden
Having passion does not mean you have to descend into bickering and fighting.
Xavier Becerra
With 'Ilustrado,' I set out to change the way we read literature, and I think I failed spectacularly. In fact, I know I failed. In reaching further than I could, I may not have produced a life- or literature-changing book, but I did produce one I am proud of.
Miguel Syjuco
When I am on the opera stage, I am playing someone else. In recitals, I even have the chance to talk to the audience, which is something you don't get to do in opera.
Sondra Radvanovsky